Friday, 29 February 2008

i read my story last night, and then some people typed something on a typewriter


i read my story last night at the cornerhouse. it was a fun night. i think i drank a bit too much. i drank a bit before i went on. i went on second. i said something about how if anyone wanted to go to the toilet before i read i wouldn't mind waiting. i think people thought i was making a joke. i meant it though. no one went to the toilet. i felt strange. i had the miniature plastic horse in my pocket while i was reading.

we went to the sand bar afterwards. i was supposed to go and find the comma press people, who went there too, i think. i kept meaning to get up and go and find them and say hi. i didn't find them. i felt a bit bad about this afterwards.

a friend of Sally Cook called Lauren had a typewriter. all the people at the table got interested in the typewriter. i think the typewriter had been bought that day for £7. we put in a bit of paper and typed a story, like the game consequences. Sally just emailed me the story that we typed. here it is:


story typed drunk on a typewriter by more than one person

Oh Lord, I am something small and confusing. It was strange. It was like something in The Nutty Professor II, The Klumps. I was born miniature and strange. I was not Eddie Murphy. I went for a job interview. 'What are you?' they said. I fiddled with my biro. 'What do you think I am?' I replied. The man played with the ends of his moustache as he considered my question. 'Are you some kind of gerbil?' he said. 'No.' I said.

'Ok then.' I bantered with this silver gent. 'Let me make you a 29th February proposition as a lady is entitled to do.' 'Ok,' he said. 'No problem.' And so that is how I was indoctrinated into the secret circle that is the Choho Ladies Pie Eating Contest Club.

'Euff,' I said. 'Wen r u goin 2 rite like toby lit?'
'Soon,' was his ambivalent response.
'Cool,' I said.

u mite b nxt wit da typeritaaah see sian 2 emillee
y is dat see emillee

I woke up in a cold sweat, my back spasming. Shit, I thought. But I am still worried about my eyelid. I have been wondering about Mark's pie a lot. Since Rod said it could not be a supermarket pie. But probably I shouldn't be worrying about my eyelid and the pie in an interview anyway. I've joined an internet dating agency. I claimed to have stigmata. So far I've had no response. I'm starting to think there's a lot of religious intolerance in this world. And so it was, the eyelid, the pie, the stigmata and the rather confusing void space in between.

I awoke the next day with a jolly good bump and a carrot in my top pocket. I chewed the top of the carrot and contemplated the previous few days of existence. What was the purpose of the carrot top? Sally woke with a smile and looked towards the sky and asked 'father I've lived for today...'

What happened? What was all this? These things like parked dogs outside convenience stores. Things left behind, unremembered, an episode of Russ Abbot's comedy programme 1989, dreadful and realistic and confusing and not a thing worrying about GCSEs, not a thing worrying about spots in the mirror, not a thing worrying about which girl will fancy you.

Let it go. You will be dead soon enough.

[click here to read more about typing the story and look at some pictures of the 'original copy'. the people who typed the story were me, Sally Cook, Sam Garrett, Sian Cummins, Tim Russell, Mark Perry, Sally's friend Lauren, and (i think) Marc Lunness, and Beth.]

Thursday, 28 February 2008

photograph of my novel


Shane Jones posted a photograph of my novel. if you would like to know what it looks like, please click this link and look at the photograph of my novel. i felt excited and strange when i looked at it.

Wednesday, 27 February 2008

The Missing Kidney by Ben Myers



you can read a bit more about Ben Myers' novel here.

this is the last promotional thing i will write about the reading tomorrow night at the cornerhouse, i promise

i am reading at this thing tomorrow night. if you have nothing to do tomorrow night in manchester, come along. it starts at 6pm, i think. it is £3.50/£2.50 (concessions) and that comes off the price of the book if you want to buy one. the book is £7.95.

the story i'm reading is pretty depressing. it is humourless. i feel strange about reading something for 7-8 minutes which will probably just 'bum people out' if they listen to it.

i am going to put this miniature plastic horse in my pocket:


if you are at the cornerhouse tomorrow night, listening to me reading my depressing short story, please think about how i am reading it with a miniature plastic horse in my pocket.

and if you want to say 'hi' afterwards, that would be nice, and maybe you could mention the miniature plastic horse. it might be a good 'icebreaker'.

Monday, 25 February 2008

'marathon' blurbing session


Shane Jones emailed me his novel Light Boxes a few weeks ago. so far i've only looked at this novel once on 'print preview' and once by scrolling down some of it and looking at a few of the words. but i plan to print it out and read it sometime this week. i emailed Shane Jones my novel, too, this evening.

here are some early blurbs for our novels:

"LIGHT BOXES by Shane Jones is the best new novel by a young American author that i was sent by email and haven't read yet" -- Chris Killen

"The Bird Room, a debut novel by Chris Killen is 358K when sent through gmail. That's the longest file I've ever seen and the best debut novel in years." -Shane Jones

"i think LIGHT BOXES by Shane Jones is about 18,000 words. i opened it in word just after he sent it to me, and just looked at the word count and then closed it again." -- Chris Killen

"The Bird Room by Chris Killen will keep you guessing. Do you read such a large file on the computer or print it out which will take an hour and lots of paper. The Bird Room could possibly be a mystery thriller." -Shane Jones

"i have the strange fear that LIGHT BOXES by Shane Jones is not called LIGHT BOXES but something very similar and i am typing LIGHT BOXES and Shane Jones is too polite to tell me that it is not called that" -- Chris Killen

"I will never finish The Bird Room by Chris Killen. It looks long and has something called "helen chapter breaks." His work is not accesible. I will lie to Chris Killen and tell him I loved his novel in two weeks time." - Shane Jones

"i am clicking between the song 'Rene and Georgette Magritte with their dog after the war' by Paul Simon and 'Feather of Forgiveness' by Polvo'; i keep listening to those two songs, one after the other. i will do that until i go to sleep tonight, and then tomorrow i will wake up and use 86 pages of blank paper to print out LIGHT BOXES by Shane Jones and then read it. i will probably read it in one sitting after 'sitting on it' for about a month." -- Chris Killen

"Chris Killen will need 122 pages to print out Light Boxes. I will need 290 for The Bird Room. This is unfair. Paper is expensive in America. Chris Killen has no concept of the world outside his blurbing. Chris Killen is stuck inside a blurb and so am I." -Shane Jones

"i feel confused. in English formatting, my novel is 160 pages. Shane Jones, author of LIGHT BOXES, must live in a country with really small paper. read his novel. i haven't yet, but other people probably have and i am sure they will tell you it is a good novel." -- Chris Killen

"Both Light Boxes and The Bird Room are horrible novels. Both Chris Killen and Shane Jones will be 35 years old, working at a bookstore, when their novels will show up in the bargain bins with one of these ridiculous blurbs." -Shane Jones

"i am going to phone my parents and wake them up (it is 12:40am UK time) and read them some of LIGHT BOXES down the phone until they hang up on me. i haven't read LIGHT BOXES yet, but i am convinced of Shane Jones' 'calibre' and i'm sure my parents will be too, and probably won't hang up on me at all and i will read the whole thing to them and by the end of it, i will be very dehydrated and tired and will have 'racked up' a massive phone bill." -- Chris Killen

"Shane Jones has a girlfriend who is mad at him for blurbing on gmail chat for so long. She is currently making fun of him." -Shane Jones

"cats, small birds, moustaches. LIGHT BOXES." -- Chris Killen


here is a picture of Shane Jones, destroyed, after our blurbing session.
(the session lasted from 00:26 until 00:48 UK time. Shane Jones is a 'lightweight'.)

Friday, 22 February 2008

DRUNK


i am a payed-up member of DRUNK now. i am going to destroy my liver in the name of uppercase blog poetry. i feel excited. i posted my first 'proper' thing on there just now.

i am listening to the song 'Rene and Georgette Magritte with their dog after the war' by Paul Simon. i want to start a band that does the thing that this song does to me, but not through twee acoustic singer-songwriting. i want to start a band that sounds like sand, maybe. i want to start a band that sounds like the song on my myspace page at the moment, but also like 'Rene and Georgette Magritte with their dog after the war' and like sand and like someone apologising to you way more than is necessary. if anyone reading this is in manchester and also wants to start a band that sounds like those things and is not too impatient or 'in it for the money' and wants to meet up maybe once a week and has or knows a place where we can practice and use equipment and things, inexpensively, please email me.

Thursday, 21 February 2008

gmail chat version of Night Owl


gmail chat version of Night Owl by Socrates and myself. (i played David Jason):

Mark Kermode: so i love politics

anyway

i was watching this video on you tube about barack obama

i don't know who he is

David Jason: me either

Mark Kermode: i know who you are

David Jason: is he an american?

Mark Kermode: i dont know

i turned it off

David Jason: okay

i am your brother

Mark Kermode: how is your odd shaped face?

David Jason: it's fine.

it's the same

'as always'

Mark Kermode: so i got bored and turned it back on

and i saw something amazing

David Jason: like a fat kid falling into a river or something?

Mark Kermode: no, it was a really big triangle

it was just huge

i have never seen anything like it

before or since

David Jason: it sounds great

Mark Kermode: it was the last straw

David Jason: send me the link

Mark Kermode: www.pythogorasisgay.co.uk

David Jason: thanks

Mark Kermode: it made me think

with all those triangles out there

i really should leave the house

did i mention it was quite late?

David Jason: yeah

you said that

Mark Kermode: sorry

David Jason: holy shit

that is one amazing triangle

you're right

Mark Kermode: i like the bit near the end of the video

where it doesnt move

just like the rest of the video

David Jason: i can't stop lookign at it

yes

did you go out?

Mark Kermode: the corners are good

yep

but not before i spean 2 mins looking for a shoe

but i found it

in the end

David Jason: good

Mark Kermode: it's ok

just a normal shoe

David Jason: i felt worried

Mark Kermode: a bit wet

when it rains

but it wasn't raining

it was a clear night

i felt good

i found a nightclub

it is called

David Jason: negresco?

they have a deer head on the wall

it's not a nightclub

Mark Kermode: it's somekind of freakish celebrationof death

David Jason: i don't know that one. is it in 'time out'?

Mark Kermode: i don't know. I only bought time out once

David Jason: will you take me there?

Mark Kermode: for the phone numbers of the saucy ladies in the back

David Jason: i feel lonely

Mark Kermode: don't worry

only joking

shall i tell you the next amazing thing that happened?

David Jason: yes

it might make me feel less lonely

Mark Kermode: i got into the night spot

and ordered a refreshing glass of wine

David Jason: is that what you said?

Mark Kermode: you'll never gues what the barman said to me

David Jason: did you ask for a 'refreshing' one?

Mark Kermode: yeah

i have quite a way with words

David Jason: i feel 'dumbfounded'

Mark Kermode: it's fine

David Jason: i feel about 2 inches

sorry

Mark Kermode: high?

David Jason: girth

Mark Kermode: you feel two inches sorry?

David Jason: i feel very small.

Mark Kermode: lookj

let me tell you something

David Jason: okay

Mark Kermode: you are important

David Jason: soryr

i'm not

i'm not

Mark Kermode: you are the most important i have ever met

David Jason: i'm a tiny miniature human man

Mark Kermode: you are massive

David Jason: you hate me

Mark Kermode: you make me feel small

you make me feel like i am lost

David Jason: stop doing this to me

just tell me about your 'night out' and then never speak to me again

Mark Kermode: i need you to tell me you love me

David Jason: maybe

Mark Kermode: right now

David Jason: i don't know

i feel sad

Mark Kermode: that's what i though

David Jason: what happened next?

Mark Kermode: the barman said i looked stupid

David Jason: you do

sometimes

it's why i like you

Mark Kermode: he said that he had never seen anyone as shrivelled as me

shrivelled

that's what he said

David Jason: i'm blushing

Mark Kermode: he said

we have a shriveller

David Jason: oooh

Mark Kermode: i wish i was strong

David Jason: me too

i want to lift a haybale

over my head

and wave it around for 'all the world to see'

Mark Kermode: i fell over once

for no reason

i am just weak

David Jason: did they stamp your hand at the club?

Mark Kermode: my legs couldn't carry mw

yeah

they stamped it

they made me pay for it as well

David Jason: sometimes when they stamp my hand it hurts and i start to cry

i love you

Mark Kermode: my heart feels warm

David Jason: what happened next?

Mark Kermode: i did a dance

David Jason: did you do 'our dance'?

Mark Kermode: i can't do it without you

i need you

David Jason: i felt jealous for a second. then when i read that last thing i felt amazing

do you miss me?

Mark Kermode: yes

David Jason: all the time?

Mark Kermode: whenever i am not with you

David Jason: even if you are with a lady?

Mark Kermode: i feel like a part of my soul is fucking someone else

and i don't like it

David Jason: good

i feel unsure

Mark Kermode: after the dance i left

David Jason: i don't think i want to speak to you anymore

Mark Kermode: ok

David Jason: tell me the rest though

i'll just read it

and not write anything

Mark Kermode: ok

i got hungry and ate 50 chips

they had salt on them

the man said i could have vinegar

but it costs extra

i said fuck your condiments

then

i went home

on my way home i passed

out

i had a dream that morrissey wanted me to sing in the next eurovision song contest

i didn't want to

i has to let them down easy

had

to

that's it

David Jason: i'm still not speaking to you


this is what i would type on DRUNK* right now if i was typing things on DRUNK:


MY LEGS FEEL LIKE
12 pt. TIMES NEW ROMAN
THEY ARE ITALICISED
AND CURLING AROUND EACH OTHER
I WENT OUT FOR DINNER THIS EVENING
IN A PLACE WITH
A DEER HEAD ON THE WALL
I TOUCHED THE FACE OF THE DEER HEAD
AND LOOKED IN ITS FAKE EYES
AND WONDERED IF IT WAS FILLED WITH SAND
OH LORD
I WANT A KITTEN
NEXT CHRISTMAS
PLEASE MAKE THAT HAPPEN

*DRUNK is this thing by the way

Tuesday, 19 February 2008

this is happening soon (i deleted my bio because i felt embarrassed and if you are reading this blog then you probably already know who i am):

Comma Press Presents:

BRACE

A New Generation In Short Fiction

@ Cornerhouse, Manchester,
Thurs 28th Feb, 7pm

Brace
Brace is the latest edition in Comma Press' highly acclaimed series of new writing anthologies, showcasing some of the best emerging short story talent in the UK.

We're celebrating the launch with exclusive readings from 3 Brace contributors:

Chris Killen

Annie Clarkson is a poet and short story writer from Manchester whose debut collection of prose poems, Winter Hands, was recently published by Shadowtrain Books.

Guy Ware
is a short story writer of rare talent, who's been widely published in prize collections and anthologies, and is a regular contributor to the acclaimed “Tales of the Decongested” story readings at Foyles book shop in London.

Before the readings at 7pm, catch screenings of short film adaptations of stories and poems commissioned by Comma Film.

Admission: £3.50/£2.50 (cons) redeemable against the price of the book.

Praise for other titles in this series:

Reasserts and cherishes the short story form's ingrained oddness, its unique kind of drama and its potential to surprise
- Independent on Sunday

Fills you with hope for the form
- Time Out

More about Brace

Monday, 18 February 2008

short film


i made another short film on flash this evening. it is my 'most ambitious' project yet:


something that when i was typing it felt like an 'epic' and i wanted to call it 'epic poem' maybe but now i look back at it is about twelve lines

i am going to go to sleep in a while
i went to work today
i didn't eat any dinner
i just scratched my chin with my sleeve
i am listening to the album 'Graceland'
by Paul Simon
using Windows Media Player
i am listening to the song 'You Can Call Me Al'
i remember a teacher in school
when i was maybe seven years old
playing this song as we walked into assembly
and i liked the song but was 'not prepared' to admit that i liked it to anyone
i am 'prepared' to admit it now
i like that song
i am listening to it
i just talked to Brandon on gmail chat
i just had a sip of water
i just felt another itch on my cheek and didn't scratch it
it is not playing the same song anymore
this could go on forever
this could be the 'modern day Beowulf'
they could make a CGI version of this
with a CGI person in a room
with a small heater going in the corner
typing something onto a blog
i think i would go and see a film about 'blogging'
even if it was just a video of someone typing things onto a computer screen
i think i would pay money to see that
i don't know why
i just scratched the back of my head
maybe i have fleas
my dad reads this sometimes, at the library
i am not sure how much
i would like my dad to leave a comment in the comments section if he is reading this
i just had another sip of water
i am going to sleep now

Thursday, 14 February 2008

things to do on Valentine's Day

melt butter in a large pan, add onions, broccoli, salt and garlic, cover and steam gently for twenty minutes, watch xtx's youtube version of Brandon Scott Gorrell's story 'Night Owl', read this 'sex therapy' blog (from the bottom up), add stock to the pan and bring to the boil, reduce heat immediately and simmer for ten minutes, read the last chapter of Duncan Cheshire's untitled 'supermarket nightmare' novel (which is not yet posted but will be posted some time today) and then congratulate him in the comments section on writing 127 chapters, blend until smooth, return to the pan and stir in the stilton, some milk, and stir over a low heat until the cheese is combined giving a lovely smooth soup, have a look at this 'supermarket nightmare' blog which has all the 'supermarket nightmares' in one place, serve and eat.

history of how i know Tao Lin, which is kind of good publicity for Tao Lin because i am typing his name on the internet a lot


Tao Lin just posted something on his blog about how his interns are going to be 'disowned' if they don't do something on the internet within seven hours. i just got home from the pub. i was lucky. i checked 'google reader' and it showed me an update on his blog, and i read it, and now i'm posting this and am not going to be 'disowned'. i am lucky.

here is a history of 'how i know Tao Lin':

i read a thing on 3am. it was a poem by Ellen Kennedy. i liked it. i clicked on a link and it took me to the bear parade site, and i looked at the book of Tao's poems and i read this poem about a bear, and i liked that, and sent him a myspace message telling him so. we sent a few myspace messages. i think i asked him if he liked Richard Brautigan (thinking he would definitely like Richard Brautigan) and he said he didn't like Richard Brautigan.

then he said i should email him, because he didn't like myspace messages. i emailed him a few times. we sent emails about books. i started reading the 'Tao Lin reading list' which is Lydia Davis, and Lorrie Moore, and Joy Williams, and some other people. i tried to recommend that he read some Knut Hamsun. i recommended he read 'Pan'. he read some of 'Hunger', i think, and didn't like it. that is how our 'relationship' has been determined so far -- i like his book recommendations and he doesn't like mine.

we have talked on gmail chat maybe six or seven times. again, we have talked mostly about books. more, recently, we have talked about other things too. but not that much.

this is my attempt at not getting 'disowned' by Tao Lin.

i should mention here that Tao Lin is also my intern, and if he 'disowns' me then i am going to 'disown' him too.


Sunday, 10 February 2008

short film


i made a short film tonight, using flash.


Friday, 8 February 2008

transmission


issue #10 of Transmission is out now. i have a short story in this issue. they have a new website, too. you can read about #10 and simultaneously look at the new website by clicking here.

Thursday, 7 February 2008

music video + competition + feud


i made a music video for the wig of blood song 'granta' this evening. i worked on it for a whole 45 mins. click on 'videos' on the wig of blood myspace page if you want to watch it. i did it to amuse myself. i hope it doesn't look like some kind of exercise in extreme narcissism. i had fun making it, and then watching it about twice, and then i uploaded it on myspace, and then i felt a bit strange about it.

Duncan Cheshire is running a competition for someone to take over the untitled 'supermarket nightmare' novel. i wrote 100 chapters, earlier this year, then Duncan took over. he is writing 127 chapters. he just posted chapter 121. read this post on his blog to find out more about the competition.

i have accidentally become part of a 'literary feud'.

Wednesday, 6 February 2008

night owl


Brandon Scott Gorrell has an e-book published today here.

to commemorate this, i am posting below my re-edited version of his short story Night Owl.

you can read his version here.

then Mazie Louise Montgomery wrote an edited version here.

now i have 'jumped on the bandwagon'. my version is below. it uses parts from both his and Mazie's versions.


Night Owl (edited again)

Carol sits on her bed. She’s looking at a computer screen. She’s clicking on things, randomly, one thing after another, and nothing is happening. There are no new emails, not even spam ones about enlarging her penis or buying discount golf equipment.

Carol imagines an email from a man she was going out with but is no longer going out with. She imagines impossible things inside the email; declarations, proposals, three-word sentences, sudden changes-of-heart.

Carol is drinking a glass of white wine. There’s an empty bottle of white wine standing on the floor next to her desk. Carol feels fuzzy and a bit sour. She feels like something pickling. She feels like she could do something and it wouldn’t matter, that she could do something and it might not even happen.

Carol looks on You Tube for any new videos of the man she was going out with. There’s only one video, the same video there always is; of his band, taken at a gig on a camcorder. He’s playing guitar in the band, and the voice of the singer is drowning out his guitar, and the singer is standing in the way of him for most of the video. For most of the video Carol is just looking at his arm.

The man was fucked in the head, anyway. He seemed to always be wanting to do about three things at once: fall in love with her, and be by himself, and hurt her very publicly and dramatically.

Carol hears people moving around in the living room downstairs. She goes into the living room. Her housemates are in the living room. They’re watching something on the TV. Carol notices that there’s no room on the sofa for her to sit down.

‘What are you watching?’ Carol says.

‘An American comedy,’ one of the housemates says.

Carol thinks about sitting on the arm of the sofa and watching the American comedy with them.

‘It’s funny,’ one of the housemates says.

Carol watches a few minutes of the American comedy. It’s not one she’s seen before. She doesn’t laugh. She waits to laugh. Laughing feels kind of impossible.

‘What’s it called?’ she says.

‘It’s called …’ one of her housemates says.

She waits for him to finish the sentence.

‘I don’t know what it’s called,’ he says, finally.

No one else says anything.

Earlier on, Carol bought the bottle of white wine from the corner shop. She put on her jacket and walked down the street to the corner shop and bought the bottle of wine from a man who was speaking on his mobile.

‘You look good,’ the man said to the person on the other end of the phone, as he handed Carol her change.

Carol goes into the hall. She takes her jacket off the hook and puts it on. She puts on her trainers. She takes her mp3 player out of the pocket of her jacket and turns it on. She presses play, and then goes out into the street, not hearing the click of the door behind her or any of her housemates calling after her to ask where she’s going.

She walks into town. It takes her half an hour. She passes an old brewery and the train station and a shut-up sandwich shop and an adult video shop and a rough-looking pub and then goes through an underpass. She listens to The Smiths on her mp3 player. She imagines her housemates catching her on the way out the door and asking her where she’s going.

‘Where are you going?’

‘To a club.’

‘Who with?’

‘Um …’

She imagines this conversation five or six times, and can’t think of a good way of saying she is going by herself. She’s glad she didn’t speak to them.

She walks into the city centre. Things are shining slightly. The pigeons look wet and ruffled and confused. An old man walks around in the market square, shouting. Someone’s put washing up liquid in the fountains again, and it’s frothed over the edges. She passes a group of skater kids. She passes some men in shirts. She passes a pair of girls with thin legs and mini-skirts.

‘It’s three pounds tonight,’ the man at the door of the club says.

Carol gives him three pounds.

‘Put the insecure stamp on her,’ the man at the door says to a girl sat just inside the door on a stool.

Carol holds out her hand to the girl and the girl puts a stamp on the back of Carol’s hand. The girl holds Carol’s hand when she puts the stamp on her. The girl’s fingers feel warm. Carol doesn’t want the girl to let go. The girl lets go and Carol looks at the back of her hand. It says INSECURE on it in black ink.


Carol walks into the club. It smells of sweat and dry ice. The DJ is playing something rubbish. Carol goes over to the cloakroom and hands in her jacket and pays the cloak room person a pound. The cloakroom person gives Carol a pink raffle ticket.

Carol goes to the bar.

There’s no one at the bar. There’s not even any bar people. She looks around the club. There are only about seven people in the club. Two of the people are dancing around inside a cloud of dry ice. The others are sat together at a table.

A barman appears out of nowhere.

Carol asks the barman for a glass of white wine.

The DJ puts on another song. He puts on The Smiths. Something changes in Carol’s stomach. She turns to look at the two people dancing inside the dry ice. She turns back to the bar and the barman is saying something to her.

‘Pardon?’ Carol says.

Two fifty,’ the barman says.

‘Sorry,’ Carol says and gives the barman two pounds fifty.

Carol walks over to the dance floor, into a different cloud of dry ice than the one the two people are dancing in. She stands inside the cloud of dry ice. She doesn’t dance or anything. Then the music stops. It stops halfway through the song. There is no music. Someone cheers sarcastically. The DJ says something muffled into the microphone and puts on a different song.

Carol goes and sits down near the door.

The club is not filling up. She feels like a pickle of some kind, or a prune, maybe. She feels like a thing left too long in the bath.

She finishes the wine and goes over to the cloak room. She asks if she can take out her coat and then put it back in again later. The cloak room person shakes their head.

Carol gives the cloak room person her raffle ticket and takes out her coat and puts it on.

‘Do you allow re-entry?’ she asks the girl sitting on the stool at the door.

‘What?’ the girl on the stool says.

‘Can I go out and come back in again?’ Carol says.

‘Yeah,’ the girl says.

Carol walks out of the club. She walks down the road towards the city centre again. She stops outside a takeaway. She looks in through the window. She goes into the takeaway and orders a pitta bread thing with chips. She waits at the counter. There are no other customers in the takeaway. The man disappears into the back for a bit. He comes out carrying a pitta bread with chips in it.

‘Pitta bread with chips?’ he says to the whole takeaway, looking around.

‘That’s mine,’ Carol says.

‘Salad?’ the man says.

‘Please,’ Carol says.

‘Do you want this?’ the man says, pointing at slivers of red onion.

‘Yes,’ Carol says.

‘Do you want this?’ the man says, pointing at lettuce leaves.

‘Yes,’ Carol says.

‘Do you want this?’ the man says, pointing at slices of tomato.

‘No,’ Carol says.

‘Do you want this?’ the man says, pointing at a sort of white yogurt sauce thing.

‘Alright, just a bit,’ Carol says.

‘Two pounds,’ the man says.

Carol gives the man two pounds and takes the pitta bread with salad and chips. She eats it as she walks back towards the club, first eating some of the chips and salad with a plastic fork, and then rolling up the pitta bread and eating it like a sandwich. She gets to the club before she finishes it, and stands outside with some smokers. It seems like there are more people at the club now. She watches four or five people go in and pay and get stamped. Then she hears a voice. It’s the voice of the man who was fucked in the head, the man she used to date.

Carol turns to face away from the entrance of the club and puts her hood up on her jacket. She hears the voice of the fucked-in-the-head man talking to another man. She hears him go in the club.

She finishes her pitta bread and shows her hand to the girl on the stool and goes back in.

There are more people in the club. Carol feels confused. She wonders where the man who was fucked in the head is. She wonders what will happen. She takes off her coat and stuffs it down the back of a seat in a corner. She goes up to the bar and buys another glass of white wine.


She takes the white wine onto the dance floor and stands there holding it. There are people dancing around her now. She holds the white wine in both hands and brings it up to her mouth very slowly and carefully and drinks it in big gulps. She drinks it in about seven big gulps. She drinks it over two songs. Then she just stands there.

‘Hi,’ says someone, over her shoulder.

Carol looks round. It’s the man who was fucked in the head.

‘Hi,’ Carol says.

The man says something else.

‘What?’ Carol says.

The man repeats himself.

‘What?’ Carol says.

She leans in close to him. She feels like she might be sick on him.

‘Can I get you a drink?’ the man says.

‘Okay,’ Carol says. She is shouting. She is swaying around. ‘Can I have …’ she says.

‘You look like you don't need any more,’ he says.

Then he says something else, then he disappears into the dry ice and dancing people.

Carol goes over to the corner to try and find her jacket. Her jacket isn’t there. She starts moving chairs and things around and swearing. Then she sees another corner. She goes over to that corner and reaches behind a chair and pulls out her jacket. One of the arms is wet-feeling.

She takes out her phone from the pocket of her jacket and presses one of the buttons and the display lights up. No new calls or messages. 1:34am.

She puts on her jacket and feels like she might be sick and leaves the club.

On the way home she listens to The Smiths again. She sings along. She feels like she doesn’t care if she gets mugged or abducted. She feels like a thing blown along, an empty crisp packet, maybe, with a wrinkled old prune inside it.

She has trouble with her key in the lock. She goes into the kitchen. She turns on the light. She opens the cupboards in the kitchen. There is nothing in the cupboards, nothing immediately edible, apart from a bag of pine nuts in one of her housemate’s cupboards. She takes a handful of the pine nuts and puts them in her pocket.

She goes up to her room. The computer’s still on. It’s on the screen saver. She touches the pad on the computer and the screen saver stops and it is still the You Tube video of the man she used to go out with. She feels confused. She thinks she might be sick. She’s not sure if she was sick the night before too or if that was a dream. She gets into bed, still in her jacket and her shoes, and hears the pine nuts rattle against her phone and her mp3 player. She pulls the covers over her head, too tired to turn off the light, and then goes to sleep and has a dream where she is in America and everyone thinks she’s an American and if she tells them that she’s English they won’t like her anymore. She feels awkward. She tries to think of a way to ‘let them down easy.’